It is a “strolling-style pond garden” mainly consisting of a spring, artificial hills, and a dry landscape garden.
This landscaping technique was used in daimyo gardens of the Edo period, but it was also carried over to landscaping in the Meiji era, and Kiyosumi Garden is said to have achieved its modern completion.
Part of this area is said to be the site of the residence of Kii no Kuniya Bunzaemon, a wealthy merchant of the Edo period. It became the lower residence of Kuze Yamato-no-kami, the lord of Sekiyado in Shimousa Province, and it seems that the garden was formed to some extent around that time.
Yataro Iwasaki bought this dilapidated residence and planned to create a garden as a place to entertain his employees and guests, and “Fukagawa Shinbokuen” was tentatively completed.
After Yataro’s death, the garden construction was continued, a large pond was created by drawing water from the Sumida River, and famous stones brought from all over the country were placed around it, completing a “strolling-style pond garden” representative of the Meiji era.
Kiyosumi Garden suffered great damage in the Great Kanto Earthquake, but at this time it unexpectedly played the role of a refuge in times of disaster and saved many lives.
The Iwasaki family valued the disaster prevention function of the garden, donated the eastern half (the current garden area) to Tokyo City as a park site, and the city developed and opened it to the public.
Furthermore, the site adjacent to the west side of the garden was additionally opened as an open park. There is a lawn area and a pergola here.
About 20 cherry trees are planted, making it a place for cherry blossom viewing in the spring. The garden has been designated as a Place of Scenic Beauty by the Tokyo Metropolitan Government.
After World War II, ownership was transferred to the state, but following local requests, the Tokyo Metropolitan Government borrowed it from the state free of charge and opened it to the public.
It is a valuable example that retains the prototype of a rare early Taisho era garden, and it is an excellent and representative example of the wonderful harmony between Japanese and Western styles achieved through the fusion of traditional methods and modern technology.
It is an important example as one of the few modern gardens that are extremely well-preserved, and it has been designated as a National Site of Scenic Beauty under the Cultural Properties Protection Law.
The creator of the Japanese garden was Jihei Ogawa VII, also known as Ueji, a gardener from Kyoto.
In addition to this garden, he also designed the Mu-rin-an, the Kyoto villa of Aritomo Yamagata, the Heian Jingu Shrine Garden, Maruyama Park, and the villa gardens of business leaders around Nanzenji Temple.
The designer of the current Western-style house and Western-style garden was Dr. Josiah Conder, a British architect, who also designed the Western-style house of the former Iwasaki-tei Garden, the Rokumeikan, and the Nikolai Cathedral, making significant contributions to the Japanese architectural world.
This garden was originally the residence of Count Mutsu Munemitsu, a prominent figure of the Meiji era, but after his second son was adopted into the Furukawa family, it became the property of the Furukawa family, though the buildings from that time no longer exist.
Utilizing the topography of the Musashino Plateau’s slopes and lowlands, a Western-style house was built on the small hill on the north side, a Western-style garden on the slope, and a Japanese garden in the lowland, creating a characteristic harmony between the Japanese and Western gardens.
Utilizing the topography of the Musashino Plateau’s slopes and lowlands, a Western-style house was built on the small hill on the north side, a Western-style garden on the slope, and a Japanese garden in the lowland, creating a characteristic harmony between the Japanese and Western gardens.
This garden was originally the residence of Count Mutsu Munemitsu, a prominent figure of the Meiji era, but after his second son was adopted into the Furukawa family, it became the property of the Furukawa family, though the buildings from that time no longer exist.
The designer of the current Western-style house and Western-style garden was Dr. Josiah Conder, a British architect, who also designed the Western-style house of the former Iwasaki-tei Garden, the Rokumeikan, and the Nikolai Cathedral, making significant contributions to the Japanese architectural world.
The creator of the Japanese garden was Jihei Ogawa VII, also known as Ueji, a gardener from Kyoto. In addition to this garden, he also designed the Mu-rin-an, the Kyoto villa of Aritomo Yamagata, the Heian Jingu Shrine Garden, Maruyama Park, and the villa gardens of business leaders around Nanzenji Temple.
After World War II, ownership was transferred to the state, but following local requests, the Tokyo Metropolitan Government borrowed it from the state free of charge and opened it to the public.
It is a valuable example that retains the prototype of a rare early Taisho era garden, and it is an excellent and representative example of the wonderful harmony between Japanese and Western styles achieved through the fusion of traditional methods and modern technology.
It is an important example as one of the few modern gardens that are extremely well-preserved, and it has been designated as a National Site of Scenic Beauty under the Cultural Properties Protection Law.